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作协貴阳分会筹委会最近召开了两次学术讨论会,就革命的現实主义和革命的浪漫主义相结合的若干问题进行了探討。讨论中对这一创作方法和塑造新英雄人物、写真人真事的关系,以及在创作实践中如何正确运用这一创作方法的问题,意见分歧較大。在这里我仅就上述问题提出自己的一些看法,意在拋磚引玉。对塑造新英雄人物和写真人真事問题的几点看法一九五八年大跃进以来,工农业生产战线上涌现了难以数计的英雄、模范,创造了史无前例的奇迹和功勛。生活赋予了文学家和艺术家崇高的使命,要求及时地写出反映这一英雄时代的宏伟面貌和嶄新图景的作品。文艺创作者們是努力的,在这一年多的时間里,及时反映现实生活的作品如同雨后春筍。更可喜的是群众思想解放后,打破了对创作的神秘观点,大量地产生了写真人真事的作品,
The Guiyang Branch Preparatory Committee of the Writers Association recently held two academic symposiums to discuss a number of issues concerning the combination of revolutionary realism and revolutionary romanticism. During the discussion, there was a disagreement on the relationship between this method of creation and the relationship between the true story of new heroes and photo creators, and how to use this method of creation in creative practice. Here I only put forward some of my own views on the above issues, intended to start a discussion. Some Opinions on the Necessity of Shaping New Heroes and Photographing People Since the Great Leap Forward in 1958, countless heroes and models have emerged on the industrial and agricultural production fronts and unprecedented miracles and exploits have been created. Life gives the lofty mission of writers and artists the urge to write in time the work that reflects the magnificent face and new vision of this heroic age. Literary and art creators are hard work, in this year and many more time, the timely reflection of real life works like springing up. What is even more gratifying is that after the masses’ liberation, they broke the mysterious point of view of creation and produced a large number of works of pictorial realities.