论文部分内容阅读
上海画人程十发(1921-2007)自幼喜好书画,研习传统,人物、花鸟、山水无不精通,工书法,善诗文,熟识民间艺术。他20多岁便在上海举办个展,上世纪50年代还以连环画、插图享誉画坛,他的书画以独树一帜的艺术面貌成为新中国上海中国画坛的领军大家。绘事自法度入,师造化得心源,创无法之法,入得化境,可为自由。程十发书画的自由有他放眼古今中外、涉猎广泛、热爱生活、智慧幽默的习性为托,更显烂漫真情。我最初从白描连环画《胆剑篇》、彩绘插图本《西湖民间故事》、单幅画《我们的朋友和同志遍于全世界》和《北海牧羊》走近他,之后不断有机会欣赏他的书画真迹和
Shanghai painter Cheng Shifa (1921-2007) loved painting and calligraphy since his childhood, studying traditions, figures, birds and flowers, landscapes are all proficient in work calligraphy, good poetry, familiar with folk art. He held his solo exhibition in Shanghai in his 20s. He was also acclaimed as a comic book and illustration in the 1950s. His painting and calligraphy has become a leader of the Chinese painting society in New China, with its unique artistic features. Painted things from the law into the division of good fortune heart, a law that can not be created, into the state, can be free. Cheng Shifa’s freedom of calligraphy and painting has his eyes on ancient and modern, extensive, life-minded, intelligent and humorous habits as care, even more unfounded. I first approached him from the white-painted comic book “Dan Jian Jian”, the painted illustration “West Lake Folk Story”, the single painting “Our friends and gay people throughout the world” and the “Beihai Shepherd” Painting and calligraphy and real