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我国的戏曲艺术,原本是重视舞台音响的。我国戏曲的雏形——汉百戏,就有了舞台音响,在汉百戏的重要剧目《总会仙唱》中,就有了“礔砺激而增响,磅磕象乎天威”的音画同步的艺术格局;到了戏曲成熟时期的元代,更产生了加强舞台音响的许多设备,如台口之处平顺光滑的三面墙利于声音集中反射等;到明代,又在舞台顶部使用圆穹形的天花藻井,俗称“鸡笼罩”,并利用舞台两则的八字影壁,达到强化声音的效果;到清代的戏台,在舞台正中的台基下设一水缸,这显然是起到“扩音喇叭”的作用。同时又在舞台上方设计一个活动的天花板,利用滑轮使其自由升降,以此达到调节音量与音质的艺术效果。
China’s opera art, originally focused on stage audio. The prototype of Chinese drama - Han 100 drama, there is a stage sound, in the Hanbaixix important repertoire “Sin Sin,” there will be a “shock and excitement, Pound knocked like Tianwei” The art of synchronous music and painting pattern; to the maturity period of the Yuan Dynasty, but also produced a lot of equipment to enhance the stage sound, such as the mouth of the smooth smooth three-sided wall conducive to the reflection of sound concentration; to the Ming Dynasty, and at the top of the stage using the circle Dome of the ceiling algae wells, commonly known as “cage cover” and the use of stage two of the characters wall, to enhance the sound effect; to the stage of the Qing Dynasty, in the stage under the base of a water tank, which apparently played “PA speaker” role. At the same time in the stage above the design of a living ceiling, the use of pulleys to free up and down, in order to achieve the volume and sound quality artistic effects.