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本文以巴赫金狂欢化诗学理论为支撑,从狂欢式场景、狂欢化人物形象以及脱冕、加冕四个方面阐释阎连科小说《受活》的狂欢化特质。
Based on the Bakhtin carnival poetics theory, this essay illustrates the carnivalesque characteristics of Yan Lianke’s novels, “living” from four aspects: carnival scenes, carnivalesque figures and deconstruction and coronation.