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《西洲曲》代表着南朝民歌的最高成就,也是乐府民歌的代表之作。本文就此诗创作的政治文化背景、自然风格两个方面,来重新体会《西洲曲》的思想与意蕴。从政治文化背景上看,魏晋南北朝是个社会动荡乱离的时代,长期处于对峙的局面。在思想文化领域,儒家的经学已不再是文人思想学术的唯一追求,以老庄为主体的玄学风行,带来了文人的思想观念的解放和个体人格精神的自觉。
“Xizhou song” represents the highest achievement of folk songs in the Southern Dynasties, is also the representative of Yuefu folk songs. This article revisits the thought and implication of “Xizhou song” on the political and cultural background and natural style of this poem creation. From the political and cultural backgrounds, the Wei, Jin and the Southern and Northern Dynasties were an era of social unrest and confusion, and they were confronting with each other for a long time. In the field of ideology and culture, the Confucian classics is no longer the only pursuit of scholars’ ideological scholarship. The metaphysical popularity with Lao Zi as the main body brings about the liberation of literary ideas and the conscientiousness of individual personality.