论文部分内容阅读
[热点述评]在策划、编辑“中国美术观”这一话题的过程中,主持人深感这一命题的复杂性和重要性。复杂性首先来自于概念的宽泛,它几乎可以包容所有关于“中国美术”的理论思考,其中必然包含多种多样的学理基础、叙事方式、针对对象和价值目标,但也使之难以呈现出一个清晰明确、既富于理性力量又充满现实关怀的具有整体性意义的论述系统。这既反映了中国美术理论界活跃的创新意识和个性,也说明这些创新意识,个性需要以更为冷静的态度进行融会和沉淀,以显露出一个更具基础性的理论建构。其次是当今美术创作在面貌、群体构成、利益诉求的驳杂景象,这与当今的社会生活状况有着密切的因果关联,也造成了美术理论形态的无序和不同理论话语的隔阂,以致理论的昭示、引领、评价作用的失效。在这样一个复杂的境况下提出“中国美术观”这一概念,根本的目的不是为了为美术理论增添一个新名词,而是从更为基础的逻辑层面提出一个问题,即我们思考中国美术的基本出发点和根本目标。对这一问题的回答已隐含在许多理论著述和创作实践中,提出“中国美术观”也是为了搭建一个促进思考、集中呈现、交流比较、调整修订、构建共识的理论平台。[前沿报道]作为国内五年一届的大型综合性美术展览,第十一届全国美展吸引着美术界各方的眼光,而获奖作品尤其令人关注。本期刊发的一篇文章对此作了简略述评。同时,本期还介绍了首届“中国美术奖”各奖项的评定结果,以及美术报美术节部分活动的概况。这组报道文字,点面结合,较全面地反映了美术界当前的态势,希望读者从中能获得启发。
[Hot Comments] In the process of planning and editing the topic of “Chinese art concept”, the host deeply feels the complexity and importance of this proposition. Complexity comes first and foremost from the broadness of the concept. It can accommodate almost all theoretical thinking about “Chinese art”, which necessarily includes a variety of academic bases, narrative styles, and aims at objects and values, but also makes it difficult to present Out a clear and explicit, both rich in rational forces and full of realistic concern with the overall significance of the discourse system. This not only reflects the active innovation consciousness and individuality in the Chinese art theory circles, but also shows that these innovative consciousness and personality need to be settled and precipitated with a more calm attitude so as to reveal a more fundamental theoretical construction. Secondly, it is a complicated scene of the contemporary art creation in terms of appearance, group composition and interest demands. It has a close causal relationship with the current social life conditions, and also causes the disorder of art theory form and the gap of different theoretical discourse so as to make the theory clear , Lead, evaluation of the failure. Putting forward the concept of “Chinese art concept” in such a complicated situation, the fundamental purpose is not to add a new term to the theory of art, but to raise a question from a more fundamental logical level: that is, we think about Chinese fine arts The basic starting point and the fundamental goal. The answer to this question has been implicated in many theoretical writings and writing practices. It is also proposed that “the view of Chinese art” be set up as a theoretical platform to promote thinking, focusing on presentation, exchange and comparison, adjusting and revising, and building consensus. [Frontier Report] As the nation’s five-year grand comprehensive art exhibition, the 11th National Art Exhibition attracts the attention of all sectors of the art world. Winning entries are of particular concern. This article published an article made a brief comment on this. At the same time, this issue also introduces the evaluation results of the first “China Art Award” awards, as well as an overview of some activities of the Art Festival. This group of report texts, point-to-surface combination, more fully reflects the current situation in the fine arts world, I hope readers can get inspired.