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艺术品市场,一个走出封闭状态的新兴市场新中国成立以来,我国艺术品市场可以说走过了风风雨雨、曲折坎坷的道路。特别在建国初期,由于帝国主义和海外敌对势力对我国实行全面封锁,我国的艺术市场基本处在一个封闭状态,加上国内各方面处在一个百废待兴的时期,国家拿不出钱来投资艺术市场,因此,国内艺术市场唱主角的主要是过去遗留下来的一些画廊和古玩交易市场。如北京的琉璃厂、上海的朵云轩等。国内各大博物馆、美术馆也只能依靠民间收藏家的无偿捐献来增加自己的藏品。以后,由于国内政治运动接踵而来,受其冲击和影响,中国传统字画、瓷器、红木家具等艺术品、工艺品被当作“封资修”的产物而被扫入垃圾箱。由于我国艺术品市场在上世纪80年代以前基本
Art market, an emerging market closed state Since the founding of New China, China’s art market can be said to have gone through the ups and downs, twists and turns ups and downs of the road. Especially in the early days of the founding of our nation, due to the complete blockade imposed on our country by imperialism and overseas hostile forces, the art market in our country is basically in a closed state. In addition, all domestic sectors are in a phase of no use for gaining prosperity and the state can not provide any money Investment in the art market, therefore, the domestic art market is the protagonist of the main legacy of the past, some gallery and antiques trading market. Such as Beijing’s Liulichang, Shanghai’s Duo Yun Xuan and so on. Domestic major museums, art galleries can only rely on the non-governmental donors to increase their collections of donations. Later, due to the impact and influence of domestic political campaigns, art and handicrafts like traditional Chinese calligraphy and painting, porcelain, mahogany furniture and the like were swept into rubbish bins as a product of “seal-fixing”. As China’s art market in the 1980s before the basic