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关于中国画的写意性,写意画家谈得比较多,工笔画家思考得比较少,界线也比较模糊。实际上,写意性在中国画发展的缘起阶段和文化特质上早已存在,并一直伴随着绘画发展而生发着。只是后来在发展的过程中,不断地被丢弃、迷失,造成今天工笔画显得“匠气”“俗气”。对当代工笔画的讨论,我觉得有必要回到文化本源上去思考,把基本的东西弄清楚。共性找到后,再发现特殊性自然就容易了。因此,“意”和“写
As for the freehand brushwork of Chinese painting, freehand painters talked more about it, the stroke painter considered it less and the boundary was rather vague. In fact, the freehand line has long existed in the origins and cultural traits of the development of Chinese painting, and has been accompanied by the development of painting. Only later in the development process, continue to be discarded, lost, resulting in today’s fine art strokes seem ”plump“ ”cheesy “. I think it is necessary to go back to the origin of culture to think about the contemporary discussion of fine brushwork and to clarify the basic things. After finding the commonality, it is easy to find the particularity naturally. Therefore, ”meaning “ and ”write