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“在这个精神贫乏的时代,诗人何为”?许多诗人发出了这样的自问。随着物质文明的迅猛发展,人的精神世界产生了一系列的、前所未有的焦虑与困惑。那么多的人为物左右、为钱左右、为私欲左右。于是,目光短浅,随波逐流,焦虑苦闷成为世纪末的流行病。神圣、崇高、美等字眼似乎早已过时,金钱、享乐、豪华成为时尚。诗似也失去了往昔神圣的地位与影响。一些崇尚高洁的人颇有“金玉不振,瓦釜齐鸣”的愤慨和忧虑。诗人,你还能做些什么?诗还能存在多久?怎样存在下去?李圣元的文学作品集《我的地平线》出版了,浏览
“What is a poet in this era of spiritual poverty?” Many poets sent such self-questioning. With the rapid development of material civilization, human spiritual world has produced a series of unprecedented anxiety and confusion. So many people about things, for money, for the lust about. As a result, short-sighted, drift, anxiety and depression become the end of the century epidemic. Words such as sacred, sublime, and beautiful seem long gone, money, pleasure, and luxury become fashionable. Poetry also lost the sacred status and influence of the past. Some people who respect the noble are quite “indignant,” “indignant and anxious”. Poet, what else can you do? How long can the poem exist? How can I exist? Li Shengyuan’s literary collection “My Horizon” published, browse