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生死一直是人们所乐此不疲讨论的话题,也是众多艺术家绘画表现的主题。死亡不仅仅是艺术的终结更是人们对生命的反思。本文分别从蒙克的作品《春》的创作背景、绘画风格、情感表达、成就以及对后人的影响四个方面来进行具体论述。从作品中体会蒙克对生命的理解。从文艺复兴开始,古典传统一直是艺术家们绘画的观念。直到十九世纪八十年代,艺术家们开始由客观转向主观,主张表现人的精神面貌和内在情感的信息。从绘画本
Life and death have always been a topic of discussion for the people and are the subject of many artists’ paintings. Death is not only the end of art but also the reflection of life. This article elaborates specifically from the following four aspects: the creative background, the painting style, the emotion expression, the achievement and the influence to the descendants of Munch’s work “Spring”. Understand Munch ’s understanding of life from his works. From the beginning of the Renaissance, the classical tradition has always been the concept of the artist’s painting. Until the 1880s, the artists began to shift from the objective to the subjective, advocating the performance of the mental outlook and the emotion of the inner world. From the painting this