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在造型语言研究是在理论的提示和实践推动下进行的,我也开始思考一些从专业方向去探索如何用自己学会的语言去表述自己心里的想法,让他们在作品上能得到呈现。本文主要分为三部分,一是从国画专业方向理解造型语言的本质;二是造型语言多样性的再认识,主要是素描及其他绘画形式的记录性和绘画性以及设计性和表现性进行的再认识和重新解读;三是肌理材质的多样性对艺术作品的直接影响。四是个人创作过程中的实践体会。
In the modeling language research is driven by theoretical tips and practices, I also began to think about some from the professional direction to explore how to use their own language to express their thoughts, so that they can be presented in the works. This paper is divided into three parts. One is to understand the essence of styling language from the direction of traditional Chinese painting. The other is to re-understand the diversity of stylistic languages, mainly the recording and drawing of sketches and other forms of painting, as well as the design and expressiveness Re-understanding and re-interpretation; Third, the diversity of texture material on the direct impact of works of art. Fourth, the practice of personal creative experience.