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黄河鸣(美术评论家): 今天的艺术评论终于将傅新民作品置诸当代艺术的名下。这种定位如果仅就作品本身而言无疑是恰当的,但我以为考察傅新民艺术身份的嬗变,更有助于诠释当代艺术的可能性和“人人都是艺术家”并非虚言。 让钢铁穿插树根,让树根缠绕钢铁。当代艺术的多媒材组合与运用让他感悟到从单纯根雕中突围的路径。两种本性截然不同的材质在傅新民的作品中冲突贴附,相辅相成。而傅新民的艺术身份也由一个根雕艺术家一跃进入
Huang Heming (art critic): Today’s art criticism finally put Fu Xinmin’s works under the name of contemporary art. If this orientation is undoubtedly appropriate only in terms of the work itself, I think it is more than a fable to examine the evolution of Fu Xinmin’s artistic identity, to help explain the possibilities of contemporary art, and to make everybody an artist. Let the steel interspersed with roots, so that the roots of steel wrapped around. The combination and use of multi-media in contemporary art made him realize the path of breakthrough from simple root carving. Two different nature of the material in the conflict Fu Xinmin’s work attached, complement each other. The artistic identity of Fu Xinmin was also entered by a root carving artist