论文部分内容阅读
文学作品的诞生犹如新生儿,它是作家用心血孕育而成的。作家都十分珍视自己的“孩子”。19世纪俄国杰出的批判现实主义作家果戈理就有四次焚书稿的经历。1829年,20岁的果戈理为了出版自己的田园诗《汉斯·古谢加顿》不仅把母亲寄来的钱全部花光,还不得不向朋友借债。当他翻阅着散发油墨香味的书页时,心情激动不已。他提心吊胆,装作若无其事的样子到各家书店去打听该书的销售情况,然而《汉斯·古谢加顿》的销路却不好,想买田园诗的人寥寥无几。果戈理怀着痛苦的期待心情和徒劳的希望度过了一个月。突然有一天,
The birth of literary works is like a newborn. It is a writer’s hard work. Writers cherish their own “children.” Gogol, an outstanding critical realist writer in Russia in the 19th century, had four experiences of burning manuscripts. In 1829, Gogol, 20, published his own idyllic “Hans Gossgaardon” to not only spend all his mother’s money, but also had to borrow from his friends. When he flipped through pages of ink that smelled, he was thrilled. He frankly tried to pretend to go to various bookstores to find out about the sale of the book if he had nothing to do. However, the sale of Hans Goshegaardon was not good, and few people wanted to buy idyllic poetry. Gogol spent a month with painful expectations and vain hopes. Suddenly one day,