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光斑水影天人玄同 田黎明先生,作为现代水墨重要的代表画家之一,你一出道就引起了我的法意。你用“没骨、连体、惟墨、融染”方法塑造的、阳光水影斑驳跳荡、似真若幻恍惚迷离的二维透明人物,以其独特的语言,更以其元创的图式,一下子便跳进了我的视窗和心门。他们以精神的裸裎解构人类精神的遮蔽,以灵魂的澄明净化人类灵魂的秽污。这种胸无城府光明磊落表里澄澈的水晶心肝高洁品格,令人想到王昌龄的诗和张孝祥的词:
Spot water shadow Heaven and earth Hyun Tong Tian Tian Ming, one of the important representatives of modern ink painting painter, your debut has aroused my legal meaning. You use the “no bone, Siamese, but the ink, melt” method of modeling, the sun shines in the water mottled jump, really like illusion trance blurred two-dimensional transparent figure, with its unique language, but also its Yuanchuang Graphics, all of a sudden they jumped into my window and heart gate. They deconstruct the masking of the human spirit with naked nudity and purify the dirt of human souls with the clarity of souls. This chest-free city of clear and upright crystal clarity of the heart and soul of noble character, is reminiscent of Wang Changling’s poem and Zhang Xiaoxiang’s words: