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萨满教“万物有灵论”是蒙古族史诗《江格尔》基本故事情节及主要人物形象之英雄主义精神和生死观的生命线 ;萨满教“三界说”在《江格尔》里体现了“神本文化”;而萨满教的控驭行为 (巫术 )则反映了《江格尔》从“神本文化”向“人本文化”过渡的状态。在此基础上 ,作者提出史诗《江格尔》的基本故事情节的产生是在原始社会末期、奴隶社会初期。
Shamanism “All Things Animism” is the lifeline of the heroism spirit and life and death view of the Mongolian epic “Jiang Geer” basic storyline and the main character image; Shamanism “Three Realms said” in the “Jiang Geer” reflects the “God of the Culture ”; and the Shamanistic control (witchcraft) reflects the state of“ Jiang Geer ”from the“ God of the original culture ”to the“ humanistic culture ”. On this basis, the author proposes that the basic storyline of the epic “Jianggel” be produced at the end of Primitive Society and at the initial stage of slave society.