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昆剧演员出身的剧作家张弘,对昆剧场上艺术有着切身的体认。他的新编昆剧,精神意蕴上,上接古人情怀,深怀悲悯之心,蕴含了悟之境;艺术手法上,重场上之曲,重“情”、“趣”。在遵循昆剧“三体三式”的艺术规定性前提下,在杂剧体例中融入了西方传统戏剧的锁闭式结构,在折子戏中嫁接了西方现代戏剧的拼贴结构,兼具传统性、现代性与创新性。
Zhang Hong, a dramatist born in Kunju opera, has a personal understanding of the art in the Kunju theater. His new Kunqu Opera, spiritual connotation, on the feelings of the ancients, deeply compassionate heart, contains the realization of the realm of enlightenment; artistic approach, heavy field song, heavy “love ”, “fun ”. Under the prerequisite of art regulated by Kun Opera and “Three Sans, Three Styles”, the closed structure of Western traditional drama is integrated into the style of opera, and the collage structure of western modern drama is grafted into the play-pecking opera, Sex, modernity and innovation.