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明代权贵之于戏曲发展,有着不可忽视的影响。臧贤和郭勋分别是正德、嘉靖时期的权贵,他们分别编集了《盛世新声》、《雍熙乐府》两部价值很高的戏曲选集。虽然他们编集选集的动机,或是声色娱乐的需要,或是政治目的的需要,而且往往为戏曲注入浓烈的正统观念和颂圣思想,但是他们同时掌握着丰富的文献和人才,有利于编辑水平较高的戏曲选集;它们又拥有话语权以及改变风气的号召力、影响力,因此他们宣扬戏曲和“风雅”、“乐府”并列,也有助于戏曲摆脱俚俗小道的偏见。
Ming dignitaries in the development of opera, has a can not be ignored. Zang Xian and Guo Xun, respectively, were the dignitaries of the Masanori and Jiajing Dynasties. They respectively compiled two highly selected anthologies of “Sheng Sheng Xin Sheng” and “Yong Xi Yue Fu”. Although they are motivated by the anthology of the anthology, or entertain the entertainment needs, or political needs, and often for the drama into a strong orthodoxy and Song thoughts, but they also have a wealth of literature and talent, is conducive to editing They also have the right to speak and change the charisma and influence of the atmosphere. Therefore, they promote drama and juxtaposition of “Elegance” and “Yuefu” and also help the opera to get rid of the bias of vulgar path.