论文部分内容阅读
从1997年李敬泽、宗仁发、施战军三位老师关于“70年代人”那场谈话开始,距今将近二十年了,围绕着“七零后”作家的话题层出不穷,似乎没有哪一代作家,像“七零后”作家一样,被文学界、评论界、学术界和媒体这么长期、热情而持续地关注着。我觉得这是中国文学界最令人感动的事情之一。我知道,业界对七零后作家创作的关注,实际上是对整个中国文学现状和未来的关注。人们无论站在何种立场,从哪个角度去讲去说去关注,批评也好,褒扬也罢,但对于七零
From 1997, when the three teachers, including Li Jingze, Zong Renfa and Shi Zhanjun, started their talk about the “70s”, they have been going on for nearly two decades now. There is an endless stream of topics surrounding the writers ’post-1970s’ A generation of writers, like the writers of “Post-1970s”, has been enthusiastically and continuously focused on for so long by literary, critics, academics and the media. I think this is one of the most touching things in the Chinese literary world. I know that the industry’s concern for the creation of post-1970 writers is actually a concern for the status quo and future of Chinese literature. No matter what kind of stance people stand from, from which angle they should go and pay attention, criticism or praise, but for seven