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《荞麦记》是黄梅戏优秀传统剧目,人物形象很有特色,各有不同的性格特点,其中“王安人”这个角色是黄梅戏老旦行的看家戏,表演状态丰富,观众喜闻乐见,其人物走向从荣华富贵到乞讨求生,这一故事情节的变化,矛盾冲突的安排,通过剧中事件一串一串的反映,把王安人灵魂深处的情与恨、爱与怨、怒与悔的变化诠释在黄梅戏的舞台上,给人以极大的反思和启示。排演时,我在该剧中接受了扮演“王安人”的任务,从读剧本到分析剧本,分析人物后,我就爱上了这个人物,因为她有血有肉,有人物个性,脑子里始终思索着我该如何恰如其分地来塑造“王安人”这一舞台艺术形象,如何赋予角色之灵魂。
“Buckwheat” is the outstanding traditional play of Huangmei opera. The characters have different characteristics. Among them, Wang Anren plays the role of a playwright in the performance of Huangmei opera. From wealth to begging for survival, this storyline changes, the arrangement of contradictions and conflicts through the series of events reflected in the string, the soul of Wang’s deep feelings and hate, love and resentment, anger and regret change interpretation In the stage of Huangmei opera, gives a great reflection and inspiration. During the rehearsal, I accepted the task of playing “Wang Anren” in the play. From reading the script to analyzing the script, analyzing the characters, I fell in love with this character because she has flesh and blood, personality and thinking in her mind How can I properly shape the “Wang ” stage artistic image, how to give the role of the soul.