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当今的艺术世界在国际殖民主义思想崩溃后,各族群文化已不存在高低优劣之分。在西方文化影响世界的状况下,非西方文化也影响世界,形成了一种多元化的后现代时期,在这个状况下,我们须反思中国当代艺术批评与艺术创作的状况,认识在其间所存在的思维误区,确定自身的价值判断和文化主张,而不至于继续在文化认同的圈子里打转转。本期所刊之文章,是切中此主题的富有见地的理论性探索。
After the collapse of the international colonialist ideology in today’s art world, the culture of all ethnic groups is no longer superior or inferior. Under the circumstance that Western culture affects the world, non-Western cultures also affect the world and form a diversified postmodern period. In this situation, we must reflect on the state of contemporary Chinese art criticism and artistic creation and recognize the existence of Misunderstanding, to determine their own value judgments and cultural ideas, rather than continue to fight in the circle of cultural identity. This issue of the article, is cutting the theme of insightful theoretical exploration.