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段正渠的油画人物和风景,以对乡土持续不断的深入探究,表现出对乡土现实与乡土图像中农民的深切关注,没有人会如此执拗地去表现乡土,在段正渠的乡土中隐含了画家对乡土系列隐喻的深思,反射出画家的悲悯情怀。这是发乎心灵深处的感动。一、带有信天游音高的乡土艺术段正渠的乡土系列发端于20世纪70年代末、80年代初,与抒情怀旧的乡土文学同时生发。由于段正渠所处的陕豫文化的影响,以及他对乡土情有独钟的关注和理解,逐渐走出了一条自己独特的路子,这也不同于罗中立的路
Duan Zhengqun’s oil paintings of figures and landscapes, in order to continue the in-depth study of the native land, showing a deep concern about the local realities and local farmers in the image of the villagers, no one would stubbornly demonstrate the local, in Duan Zhengqu’s native implied painter Local series of metaphorical reflection, reflecting the artist’s compassion. This is the heart of the heart moved. First, the local art with a voice of day tour Duanqu ditch native series originated in the late 1970s, early 80s, and lyrical nostalgic native literature at the same time. Due to the influence of Shaanxi-Henan culture where Duan Zhengqu was located and his fond love and understanding of the local community, he gradually came out of his own unique path, which is also different from that of Luo Zhongli