论文部分内容阅读
我在省艺校学习时,和现在省团的“五朵金花”是同届,不过她们学的是表演,我则学的是演奏,学扬琴。她们用喉咙发声,我是用琴弦发声。已故的杨荫河老师常勉励我:伴奏就是伴演员而奏。而且要伴得和演员“合二为一”,不能分道扬镳,更不能“喧宾夺主”,不能“自我表现”,老师讲得还深刻具体,一定要“死”到演员里头去。要耐不住这种寂寞,那就干脆作独奏演员,再不然就改行。以后杨荣跃老师还讲:要爱心中的艺术,不是爱艺术中的自己。喧宾夺主不就是想表现自己吗?这些话语气很重,我永世忘不了。谈到这些,老师们
When I was studying at the provincial school of art, I was with the current “Five Golden Flowers” of the provincial delegation. However, they learned to perform and I learned to play and learn the piano. They sounded in their throats, and I sounded with strings. The late Yang Yinhe teacher often encouraged me: accompaniment is with the actor and played. But also with the actors and actresses “into one”, can not part ways, but can not “overwhelming”, can not “self-expression”, the teacher is also very specific, must “die” to the actor inside. To stand up to this loneliness, then simply as a solo artist, or else diverted. After Yang Rongyue teacher also said: to love the art of love, not art love yourself. Is it overwhelming to express myself? These words are heavy, I can never forget. Talking about these, teachers