异样的声音——关于翟健群的画

• 作 者: 安雪
• 机 构: 中国美术馆学术一部,
• 出 处: 美术观察
• 发表日期: 2007年04期
• 关键词: 翟健 中国画坛 日本画 笔墨语言 张渝 赵望云 西安美院 美术批评 中国画笔墨 长安画派

如果说,写诗的目的是使所有的诗歌尽可能听起来声音各异的话,那么,绘画也该如此。作为画家,翟健群并不奢望能在大地上发出最宏亮的声音,但他要求自己的声音一定要独特。这样的追求在个别肤浅者那里简直不值一提,“务新追奇”在他们那里就如同家常便饭一样简单。于是,我们在神圣的中国画坛居然看到了貌似艺术的杂耍。然而,艺术就是艺术。一直视艺术为神圣的翟健群对那些貌似艺术,杂耍式的“务新追奇”者都不愿多看一眼,他只是朴实地近乎朴素地表达自己稚嫩却又独特的声音。

If we say that the purpose of writing poems is to make all the poems sound as different as possible, then painting should be the case. As an artist, Zhai Jianqun did not expect to make the loudest voice on the earth, but he demanded that his voice be unique. Such pursuit is not worth mentioning in the case of some superficial, “New Pursuit of Qi” in them as simple as ordinary. As a result, we actually saw the seemingly artistic juggling in the holy Chinese art scene. However, art is art. Zhai, who always regarded art as the sacred, is reluctant to take a look at those seemingly artistic and juggling “chasing new charisma”. He simply understated his immature but unique voice in a plain and simple way.