论文部分内容阅读
越剧诞生于浙江嵊县,最初只是一种民间说唱。1917年当时还被称为“小歌班”的越剧第一次来到上海演出,虽然以失败告终,但从此与上海结下了不解之缘。上世纪40年代,随着“孤岛时期”众多女班的蜂拥入沪,越剧在上海进行了一系列改革,逐渐崭露头角,甚至一举超越京剧,成为上海市民最喜爱的剧种。在这一过程中,女子越剧对当时上海都市媒介环境的主动适应和积极融入,曾经起到过很大的推动和促进作用。民国时期上海是全国的出版中心。三、四十年代仅上海出版的越
Yue Opera was born in Sheng County, Zhejiang Province, initially only a folk rap. In 1917, Yue Opera, also known as “Little Singer”, first came to Shanghai to perform. Although it ended in failure, it never ceased to exist with Shanghai. In the 1940s, with the swarming of many “female islands” in Shanghai, Shaoxing Opera made a series of reforms in Shanghai and gradually came to the fore. It even surpassed Peking Opera to become the most popular opera in Shanghai. During this process, the female Yue Opera played an active role in promoting and promoting the urban media environment in Shanghai at that time. During the Republic of China, Shanghai was the national publishing center. Three or four decades only Shanghai published more