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高名潞;今天大家是否主要谈谈当代美术批评,说说批评的现状、问题以及批评的发展。 易英:我在中央美院史论系开“十年批评史”课,先讲背景,再讲批评家。现在回顾起来,十年来的热点问题,如谈社会现实主义、关于人体艺术,还有国画大辩论、星星画展以及自我表现的争论,当时都带有一定的爆炸性,但这些批评尚未进入批评,只有新闻性。当然,批评一定要有某种“轰动效应”。 范迪安:批评在当代美术发展中的意义逐渐显露和被认识,正是由于批评“制造”了某些热点,批评
Gao Minglu; Today, whether we mainly talk about contemporary art criticism, talk about the status quo of criticism, problems and criticism of the development. Yi Ying: I am in the history of the Central Academy of Fine Arts Department of “ten-year history of criticism” class, talk about the background, to speak of critics. Now, in retrospect, the hot issues of the past decade, such as social realism, debate on body art as well as the debate on traditional Chinese painting, the exhibition of stars and the exhibition of self-expression, were all explosive at the time. However, these criticisms have not yet entered into criticism. Newsability. Of course, criticism must have some kind of “sensationalism.” Fan Di’an: The significance of criticism in the development of contemporary art is gradually revealed and recognized. It is precisely because criticism has “made” some hot spots and criticized