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诗意盆景,是将诗词曲的意境物化于盆盎中的造型艺术,具有典型中国文人艺术特色。它的造型不是对原诗的翻版,而是对诗之意境在整体气韵上的体味和表现。张奇志创作的盆景《空亭》(见题图)取意于苏东坡词《醉翁操》。词意不在于描绘山川景物之美,而是通过着笔流泉,缅怀先贤,叹时下知音难觅。读罢,颇有醉翁亭余韵不绝之感,但毕竟人去亭空,勾起许多思念与叹惋。欲将词意妙化为盆景,成为亦真亦幻的佳作来,非洞察原词创意且独具匠心不可。《空亭》创作简括凝炼,以最有力的盆景造型语言,集中体现《醉翁操》词中“空”之意韵。通过山脉之走势营造,在悬崖突兀处所置凌空欲飞之空亭,是作者“情结”之归处,成为整个盆景画面的视觉中心。欣赏者的视线沿着山脉之走势,最后停泊龄空亭,引出无限遐想,置身空亭,听昔日“醉翁啸咏,声和流泉”。近礁远山,使更加空阔的江面与高耸的山
Poetic bonsai, is the artistic conception of the poetic song of the materialized in pots Ang, with the typical Chinese literati art features. Its shape is not a replica of the original poem, but the taste and expression of the poetic conception on the overall temperament. Zhang Qizhi’s creation of bonsai “empty pavilion” (see the title map) intended to Su word “drunk operation.” The meaning is not to depict the beauty of the mountains and scenery, but through the fountain pen, memory of the sages, sigh nowadays known for hard to find. After reading, quite a sense of endless verve Wang Ting, but after all, people go to kiosk, brought back many thoughts and sighs. To translate the meaning of the word meaning into a bonsai, has become a masterpiece of true and false, non-insight original ideas and originality. “Kiosk” concise summary of the creation, with the most powerful modeling language bonsai, “Xuanyong Cao” concentrated expression of the word “empty” meaning. The trend through the mountains to create, in the cliffs unexpected place to set the air to fly the kiosk, is the author of “Complex” at the home, as the visual center of the entire bonsai picture. Appreciate the line of sight along the mountain trend, the last berth age empty kiosks, leading to unlimited reverie, empty kiosks, listening to the old “drunk Weng Xiao Yong, sound and flow springs ”. Near the mountains, so that the more empty river and towering mountains