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以20世纪40年代李凌先生“新的歌唱方法”正式打响争论的第一炮,土洋之争持续十几年来,发表文章愈百余,展开了三次全国范围内大的土洋唱法讨论,引起众多近现代音乐史学家和声乐理论研究者的关注。尤其在21世纪伊始,以土洋之争为主题撰写的文章数目呈上升趋势。学者从土洋之争的问题成因、史料考辩、反思建构、影响和意义等方面展开论述。回溯这场世纪之争,学者和声乐实践者主要围绕以下核心问题展开“土洋”争论。
In the 1940s, Mr. Li Ling “new singing method ” officially started the first gun of controversy, the dispute over land and sea lasted more than a decade, published more than 100 articles, launched three nationwide large indigenous singing discussion , Aroused the concern of many modern music historians and vocal music theory researchers. Especially at the beginning of the 21st century, the number of articles written on the theme of the conflicts between the soil and the earth is on the rise. Scholars from the cause of the disputes between the soil and the ocean, historical data, reflection on the construction, influence and significance of such discussions. Tracing back the controversy of this century, academics and vocal music practitioners mainly started the debate on “indigenous affairs” around the following core issues.