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中国画最初是很重视色彩的,后期士大夫不断倡导才变成了墨彩为主。虽然以墨代色看起来像是一次突破,但是因为忽略色彩的使用使中国画变现形式便变得单一。在中国画的发展演变中,因为审美和颜料的局限弱化了其色彩语言,阻碍了中国画色彩情感和想象的进一步发展。所以中国画创作中的色彩创新研究是十分必要的。
Chinese painting initially attaches great importance to the color, the later literati constant advocacy has become the ink-based. Although the ink on behalf of the color looks like a breakthrough, but because of the neglect of the use of color Chinese painting becomes a single form. In the development and evolution of Chinese painting, the limitation of aesthetics and paint weakened the color language, hindering the further development of color emotion and imagination in Chinese painting. Therefore, the study of color innovation in Chinese painting is very necessary.