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马增寿系北京京剧院国家一级演员。现年六十有四。在他五十多年的艺术生涯中,他扮演过近百个小花脸的角色。以他那洪亮的嗓音,形象逼真的做派,滑稽幽默的道白以及恰到好处的插科打诨现场抓哏的绝活,赢得了广大观众的喜爱。 丑行,在戏曲中举足轻重,不可或缺。俗话说:“无丑不成戏”,说明了丑行在京剧中的重要地位。丑角,必须熟悉每一行当的功法技艺,自身亦必须文武兼备,唱念俱佳,在“同光十三绝”这幅具有历史价值的群星图中,记录下清代同治、光绪年间京剧舞台上的名伶。其中刘赶三、杨鸣玉就是丑行。就连富连成科班培养出来的京剧名家马连良、谭富英、裘盛戎、袁世海、
Ma Zengshou Department of Beijing Peking Opera actor at the national level. There are 60 in the world today. In his fifty years of artistic career, he played the role of nearly a hundred face. With his loud voice, lifelike faction, funny humorous dialogue and the right Gagaku site caught the unique skills, has won the audience’s favorite. The scandal, in the opera plays a decisive role, indispensable. As the saying goes: “no ugly no play” illustrates the important position of ugly in Peking Opera. Harlequin, must be familiar with each line of the work of art, must also have both civil and military, sing all the best, in the “same light 13 must” in this historic star map, record the Qing Dynasty Tongzhi, Guangxu years Peking Opera Acting on stage. Which Liu catch three, Yang Mingyu is the scandal. Even the Lian Pei into a scientific class masters Ma Lianliang trained, Tan Fuying, Qiu Shengrong, Yuan Shihai,