论文部分内容阅读
山水画自晋代萌芽出现以来,其风日盛,经唐初发展到盛唐突变,中唐出现水墨山水到五代发展成熟,位居画坛之首,经历了宋、元、明、清,派别林立,独领中国画坛。与之相伴,中国陶瓷彩绘艺术,在经历了唐长沙窑、宋磁州窑到元青花、釉里红以及后世的斗彩、五彩、粉彩、珐琅彩、广彩等精湛工艺,一直是陶瓷工艺美术装饰性的范畴。直到清末出现的浅绛彩瓷使瓷画真正与传统中国画大规模结合,开创了全新瓷画风貌。山水画题材在当时的创作中充当了主角位置。后以“珠山八友”为代表的画家们改良浅绛彩工艺而兴起的“新粉彩”影响了后世的创作。随着当代艺术不断的多元化,山水题材在陶瓷艺术创作中的运用成为当代陶艺的热点话题。
Since the advent of the sprout in the Jin Dynasty, the landscape has been flourishing since the beginning of the Tang Dynasty and became a successor to the Tang Dynasty. The emergence of the ink-and-water landscape in the middle period of Tang Dynasty matured to the fifth generation and ranked the first in the painting circles with the Song, Yuan, Ming, Qing and factions , Alone collar Chinese painting. Accompanied by the Chinese ceramic painting art, experienced in the Changsha kiln, Song Cizhou kiln to the yuan blue and white, red glaze and later fighting, multicolored, pastel, enamel, Kwong Choi and other exquisite craftsmanship, has been the ceramic technology Art decorative category. Until the late Qing Dynasty light purple crimson porcelain paintings to make a truly large-scale integration of traditional Chinese painting, creating a new style of porcelain painting. Landscape painting themes at the time of the creation of the protagonist. After “Pearl Mountain Friends” as the representative of the artists to improve the light purple color craft and the rise of “new pastel ” affect the future generations of creation. With the continuous diversification of contemporary art, the use of landscape themes in the creation of ceramic art has become a hot topic in contemporary ceramic art.