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前不久,笔者曾从《南方周末》上读到一篇文章,说“创业者要找对河流”。戏剧实践,于此亦别无二致。它的每一次舞台呈现,都是一次藉由假定,把心交给观众的真实倾诉。这种倾诉是一门技术,更是一门由特定的剧场空间进入心理空间,真诚地与观众沟通的情怀至上的艺术。因为戏剧,不只是戏剧家的表达方式,走进剧场也是观众精神生活的愉悦方式。近日,“北京人艺”上演的契诃夫名剧《樱桃园》(翻译:童道明、导演:李六
Not long ago, the author read an article from “Southern Weekend,” saying that “the entrepreneur is looking for a river.” The practice of drama is also unique here. Each of its stage presentations is a true talk of giving to the audience through assumptions. This kind of talk is a technique, but also an art of supremacy that enters the psychological space from a specific theater space and sincerely communicates with the audience. Because drama, not just the way the dramatist’s expression, into the theater is also a pleasant way of life of the audience. Recently, Chekhov’s famous play “Cherry Garden” staged by “Beijing Art ” (translated by Tongdao Ming, Director: Li Liu