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与第二代抽象表现派艺术家同时问世的雕刻家,象他们一样,对孤立的、凝滞不动的姿态所产生的效果颇感兴趣。马克·迪·苏韦罗(Mark di Suvero)的《绞索斗士》(图一)中的木梁和克兰(Kline)创作的形象有关系;张伯伦(Chamberlain)的《印刷先生》(图二)中压扁的汽车构件和库宁(Koon-
Sculptors, who came together with the second generation of abstract expressionist artists, are just as interested in the effects of an isolated, stagnant gesture. The wooden beams in Mark Novo Marko Suvero’s Noose Fighter (Figure 1) are related to the images created by Kline; Chamberlain’s “Mr. Printing” Medium flattened automotive components and Koon-