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笔墨中心主义它把笔墨作为中国画的内核、底线。这个理论是1998年由张仃提出来的,他针对吴冠中写了篇文章叫做《守住中国画的底线》。当我们把笔墨传统作为中国画的重要内核或者底线的时候,又牵涉到笔墨是什么,大家对笔墨的理解是不一样的。狭义的理解一般是指明清以后的笔墨形态。一笔下去有笔、有墨。有笔、
It uses ink and brush as the core of Chinese painting, the bottom line. This theory was put forward by Zhang Ding in 1998. He wrote an article entitled “Hold the Bottom Line of Chinese Painting” for Wu Guanzhong. When we use the tradition of pen and ink as an important core or bottom line in Chinese painting, we also get to know what is pen and ink, and we all understand it differently. Narrow understanding generally refers to the pen and ink forms after the Ming and Qing Dynasties. There is a pen, ink. With pen,