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在某些追随时尚者的观念里,写实绘画已非所谓主流。其实,这只是一种虚拟和假设。艺术领域内的所谓主流越来越没有铁定的统一标准,所以,关键所在还是艺术家的信心。从这个意义上来看,写实油画家杨忠是坚定的。他从崭新的角度重建了写实的信心,并以持之以恒的艺术实践来证明写实主义在理性、道德和审美方面的恒久价值,这与其他优秀写实油画家有着同样的信念——不畏潮流,抗颜而为。这也是中国艺术家自信的标志。
In some follow the fashionist’s concept, realistic painting is not the mainstream. In fact, this is just a hypothetical and hypothetical. The so-called mainstream in the field of art is less and less definitively unified, so the key lies in the artist’s confidence. In this sense, realistic oil painter Yang Zhong is firm. He has re-established his realistic confidence from a completely new perspective and demonstrated the long-lasting realism of realism in terms of reason, morals and aesthetics through perseverance in artistic practice, which shares the same belief as other excellent oil painters - fear of the trend and resistance Color is. This is also a sign of the confidence of Chinese artists.