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中国画的意象语言是建立在东方文化和中华民族传统审美心理基础之上的一种造型观念,历经数千年的发展与完善,已经形成了具有鲜明的民族风格和民族特色的艺术形式。积极探寻中国画意象语言的东方文化之根,对于我们正确认识传统绘画精神,以及定位当代中国画的发展之路,无疑都具有重要的意义。一、“天人合一”的东方哲学思想中国画意象所依据的绘画美学理论,主要是源于中国独特的文化背景和哲学思想,正如潘天寿所言:“东方绘画之基础,在哲学。”
The imagery language of Chinese painting is a kind of modeling idea based on the oriental culture and the traditional aesthetic psychology of the Chinese nation. After thousands of years’ development and improvement, the imagery language of Chinese painting has formed an art form with distinct national style and national characteristics. It is undoubtedly of great significance for us to actively explore the root of the oriental culture of the Chinese imagery language for us to correctly understand the traditional spirit of painting and to orientate the development of contemporary Chinese painting. I. Oriental philosophy of “harmony between man and nature” The theory of painting aesthetics on which Chinese painting images are based is mainly derived from China’s unique cultural background and philosophical thinking. As Pan Tianshou said: “The basis of oriental painting is that philosophy.”