论文部分内容阅读
陶瓷之于中国就如同一个信仰、符号及文化的代表,欧美早期以“china(中国)”为陶瓷的代名词。早在彩陶文化、黑陶文化时期,器皿纹饰的出现,说明人类爱美的天性以及具有观察描绘自然、模仿自然的能力。随着文明的向前演进,人们对使用器具美感需求的增加,使得更细致分工的
Ceramic in China is just like a symbol of faith, symbol and culture. Earlier in Europe and the United States, “China (China)” was synonymous with ceramics. As early as in the pottery culture, black pottery culture, the appearance of utensils and ornaments, indicating the nature of human beauty and the ability to observe and depict nature and imitate nature. As civilizations move forward, there is a growing demand for aesthetic appeal for the use of appliances, resulting in a more detailed division of labor