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他是上世纪八十年代活跃于中国摄影界的艺术家,开创了中国摄影的一个艺术流派——心理视像派,同时,也是中国第六代电影导演,电影《迷岸》开创了中国当代“诗电影”的先河。在那个追求艺术创作的年代,他提出“用主观变异的物质世界来反映人的多层次的精神空间”“打碎外部的真实,表现心理的真实”的摄影艺术创作的理念,他就是导演中的摄影家——于晓洋。心理视像流派的形成在上世纪八十年代,人们的精神境界是十分纯净的,没有商业大潮的冲击,也没有对名利的过度追求,人们的思想相对单纯,那时的摄影创作也具有时代意义,包括时代的人情、人性和浓厚的人文色彩,于晓洋便是在这样一个大的环境下,开始了自己的摄影艺术创作,他的三幅早期代表作《珍重》《晚晴》和《我们这一代》都表达了一种人文关怀的精神和情怀,“《晚晴》这部作品主要表现的是对老人的关爱,当时我们院里有一个老大
He was an artist who became active in the Chinese photographic industry in the 1980s and pioneered a genre of art in China’s photographic film, psychic video. At the same time, he is also the sixth generation film director in China. His film ” “Poetry movie” precedent. In that era of pursuing artistic creation, he proposed the concept of photography creation that “reflects the human multi-dimensional spiritual space with the material world of subjective mutation”, “breaks down the reality of the outside world and displays the true nature of the mind” He is the director of the photographer - Yu Xiaoyang. Psychological video genre formation In the eighties of last century, people’s spiritual realm is very pure, without the impact of commercial tide, nor the excessive pursuit of fame and wealth, people’s ideas are relatively simple, when the photography creation also has the era Meaning, including the human nature, human nature and strong humanistic color of the times. In this great environment, Yu Xiaoyang started his own artistic creation of photography. His three early masterpieces, Treasure, Our generation “all expressed a spirit of humanistic concern and feelings,” “Late Qing” This work mainly shows the love of the elderly, when our hospital has a boss