论文部分内容阅读
本文依时代顺序 ,论列东汉初年班彪《览海赋》 ,东汉末年王粲《游海赋》、曹丕《沧海赋》、西晋木华《海赋》、潘岳《沧海赋》、东晋庾阐《海赋》、孙绰《望海赋》、南齐张融《海赋》 ,梁肖纲《海赋》、《大壑赋》。而以木、张二赋为重点 ,认为木赋在十篇之中成就最高 ,张赋次之 ,后世无出其右。文章第四节对台湾学者陈心心、何美宝《唐以前海赋的研究》提出批评 ,认为该文的基本论断与实际不符。并对大陆学者王立的《中国古典文化中的海的意象》表示了不同见解。
This article, according to the sequence of the times, lists the features of Ban Hai in the early years of the Eastern Han Dynasty, the excursions of Wang Haifu in the late Eastern Han Dynasty, Cao Pi’s Cihai in the Sea, Xihua Jinhua’s Hai Fu, Pan Yue’s Cihai Ci in the Eastern Jin Dynasty, Ocean Fu “, Sun Zhuo” Wang Hai Fu “, Nan Qi Zhang Rong” sea “, Liang Xiao Gang” sea “,” Dali Fu. “ The wood, Zhang Er Fu as the focus, that wood fu in the highest among the ten, Zhang Fu, followed by no other right. The fourth section of the article criticizes Taiwan scholar Chen Xin-heart and He Mei-bao’s ”Studies on the Sea Before the Tang Dynasty“, that the basic thesis of the article is inconsistent with the reality. He also expressed different views on Wang Li, a mainland scholar, ”the image of the sea in Chinese classical culture."