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聂耳是20世纪声势浩大的植根于国际无产阶级阵营的中国革命新音乐运动的旗手,也是“民族形式、救亡内容”的革命音乐乐坛的巅峰人物。其成就代表了云南民国时期的基础音乐教育对中国音乐的最伟大的贡献。本文采用考据法和比较法探索聂耳新音乐创作内容、形式与民国时期云南基础音乐教育之间的关系,同时借用“阐释图像学”的艺术史论研究方法解释云南基础音乐教育对聂耳音乐创作的影响以及给予我们今天的基础音乐教育的启示。
Nie Er is the flagship of the glorious Chinese new music movement of the Chinese revolution rooted in the camp of the international proletariat in the 20th century and the pinnacle of revolutionary music in the “national form and content of saving the nation.” Its achievements represent the greatest contribution of basic music education to Chinese music during the period of the Republic of China. This article explored the relationship between the content and form of Nie Erxin’s music creation and basic musical education in Yunnan during the Republic of China by using the textual research method and the comparative method. At the same time, it explains the basic music education in Yunnan The impact of ear music creation, and the implications for today’s foundation music education.