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鞍山评书作为作为第二批国家级非物质文化遗产,是鞍山地域文化的代表和象征,它经历了从二十世纪五六十年代以杨田荣为代表的新派评书的异军突起,又到七八十年代“三芳争艳”的名震一方,再到如今的人才匮乏、剧目创作滞后。笔者通过对鞍山评书所处的濒危现状的分析,结合亲身参与该项目保护工作的客观实际,提出一些如人才培养、基地建设、创新剧目等对鞍山评书今后发展具有操作性的对策建议。
As the second batch of national intangible cultural heritage, Anshan storytelling is the representative and symbol of Anshan’s regional culture. It experienced the sudden emergence of the new school commentary represented by Yang Tianrong in the 1950s and 1960s, “Sanfang Yan Yan, ” the name of the earthquake party, and now the lack of talent, play writing lags behind. Based on the analysis of the endangerment status quo of Anshan storytelling and the objective reality of participation in the project protection work, the author puts forward some countermeasures and suggestions on the future development of Anshan storytelling such as personnel training, base construction and innovative plays.