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《美术》杂志在新世纪展开关于真善美统一的伟大审美理想的大讨论,在全国美术界引起热烈地反响,我们女画家也非常赞同这种美学理念。 从二十世纪中期到二十一世纪初,许多中国女画家的追求的方向,就是真善美的统一。她们以女性独特的表现形式,创作出一批批关于女性生活和女性精神情感为特点的作品,都是在体现这种美学理念。她们的作品使喧闹的社会和浮躁的人们感到平衡和充实,人格更加完善和健全。这些作品,是绘画领域里美丽的光环。
In the new century, the grand debut of Fine Arts Magazine about the great aesthetic ideal about the unity of truth, goodness and beauty aroused enthusiastic response from the fine arts circle in our country. Our female painters very much agree with this aesthetic idea. From the middle of the twentieth century to the beginning of the twenty-first century, the pursuit of many Chinese female painters is the unity of truth, goodness and beauty. They are unique in the form of women to create a batch of works on the characteristics of women’s lives and feminine emotions, are reflected in this aesthetic concept. Their work balances and enriches the noisy society and the impetuous people, and their personality is more complete and sound. These works are beautiful aura in the field of painting.