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六十年代拉丁美洲文学的“爆炸”,震撼了整个世界文坛。使得一向崇尚欧洲文学的人们不由得把目光转向那块被遗忘了的大陆。他们惊异地发现,那里的文学居然也有那么好的作品,那么杰出的作家,他们运用的手法是那般奇特,那么出人意料。的确,文学“爆炸”的巨子们每人都在其作品中运用了拿手的表现手法和技巧。如果从作品结构形式的新颖和创造性来说,独树一帜者恐怕要算科塔萨尔的《跳格子》了。 一 《跳格子》是胡利奥·科塔萨尔最重要的作品,也是拉丁美洲小说中的非凡之作。原著长达六百三十五页,算得上是超常的鸿篇巨作。书中没有贯穿始终的中心情节,
The “explosion” of Latin American literature in the 1960s shocked the entire literary world. So people who have always advocated European literature could not help but turn their attention to the forgotten continent. They were surprised to find that the literature there actually had such good works, so outstanding writers, they used the technique is so peculiar, so surprising. Indeed, each of the giants of the literary “explosion” used their expressive techniques and techniques in their works. If from the structure of the novelty and creativity of the work, the only one who is afraid to count Cotaxar’s “jump lattice.” A “jump lattice” is the most important piece by Julio Cortazal and is an extraordinary work in Latin American novels. The original length of six hundred thirty-five pages, can be regarded as extraordinary masterpieces. The book does not run through the center of the plot,