论文部分内容阅读
作为约翰·科里利亚诺创作后期一部重要的室内乐作品,《幻影》不仅凸显了不同历史时期、创作流派所产生的音乐风格与技术之间的巨大差异,而且从其异质多元的结构布局、“十二音调性序列”的隐蔽处理以及和声技术对隐蔽调性的开掘等方面进行深入剖析后可得出:调性结构在全曲中具有核心主导作用。概言之,正是这一调性结构思维在回溯过去、指向未来的历时性技术实践,才使得《幻影》作品呈现出传统与现代、过去与当下、观念与技术兼长并美的综合化创作特色。
As an important chamber music piece written by John Corelliano, “Mirage” not only highlights the huge differences between musical genres and techniques produced by different historical periods and genre schools, but also from its heterogeneous Structure layout, covert processing of the “twelve tonal sequence” and harmony technology digging the hidden tonality, we can draw the conclusion that the tonality structure has the core leading role in the whole song. In a word, it is precisely this dialectical structure thinking that goes back to the past and refers to the diachronic practice of the future, which makes the works of Mirage present a comprehensive creation of both tradition and modernity, past and present, with both concept and technology in harmony with the United States Features.