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张谷旻的山水画既有宏幅巨制,又有江南小景。其作品之西北大漠,在近乎悲壮与凄凉的静寂中笔厚气壮、博大浩渺;其作品之烟雨江南画面渴笔淡墨、结景严密、笔精墨妙、格调高雅。张谷旻的山水画讲究精致细微而又挥洒自由,墨色浓淡虚实变化于无序中见有序,氤氲的烟雨迷蒙之中,恍恍惚惚间化出一种巍峨,他在写生性创作中能完美自如地运用传统笔墨,是对现代中国画写生的超越。
Zhang Gu Min’s landscape paintings both macro giant system, there are small southern scenery. His works of the Northwest Desert, almost tragic and desolate silence in pensome, broad and vast; his works of Amorous Jiangnan thirsty pen and ink, tight knot, pen sophisticated, elegant style. Zhang Jumin’s landscape paintings are exquisitely delicate and swaying freely. The changes of the flesh and shade of ink and color are seen in an orderly and disorderly manner. In the misty rain and gloomy, Zhang Yumin’s narration creates a towering towering atmosphere. The use of traditional ink and brush is a surpassing of modern Chinese painting.