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文字记载的文献,是中国古代历史研究的主要依据。但在物质文化领域,文字记载则不够全面、具体和形象,给学术研究造成局限。直到20世纪中叶,以沈从文为代表的学者在继承传统历史研究的基础上,开始全面利用出土和传世文物中的形象史料,结合文献对文化史问题进行研究,形成形象史学的研究方法,并取得突出成绩。在考古学科快速发展,提供大量出土资料的基础上,形象史学的理论方法逐渐为学界认同,表现形式也在不断创新。“中华文明历史题材美术创作工程”就是在上述背景下出现的完全用绘画、雕塑等艺术形象研究表述的中国通史,是形象史学创新理论的新实践,具有重要的历史意义。同时,工程的竣工还可向不同文化层次,不同语言和国界的读者展示中国历史,促进传统文化的传承与传播,具有突出的现实意义。
Documented literature is the main basis for the study of ancient Chinese history. However, in the field of material culture, the written records are not comprehensive enough, concrete and image, which limits the academic research. Until the middle of the 20th century, scholars represented by Shen Congwen started to make full use of the image historical materials in the unearthed and handed down cultural relics based on the inheritance of traditional historical research, and studied the issues of cultural history with reference to the literature to form the research method of the historical image and obtain Outstanding results. On the basis of the rapid development of archeology and the provision of a large amount of unearthed materials, the theoretical methods of image historiography have gradually become the recognition of scholars and the forms of expression are constantly being innovated. “History of Chinese Civilization is the subject of art creation project ” is the general history of China that appears under the above background and is characterized by painting, sculpture and other artistic images. It is a new practice in the theory of image historiography innovation and has an important historical significance. At the same time, the completion of the project can also showcase Chinese history to readers of different cultural levels, languages and nationalities and promote the transmission and dissemination of traditional culture with outstanding practical significance.