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近年来,随着电影产业化进程的持续推进,新可能、新问题、新现象不断涌现。这其中,以更年轻一代的创作群体崛起和主流电影观众平均年龄的持续下降为中国电影发展带来的可能变化尤为值得关注。作为中国电影“新力量”的青年群体,及其所携带的某种文化特质与美学趣味正在潜移默化地影响和丰富着中国电影的风格样式。本文讨论在“互联网+电影”语境下,传统意义上“抵抗性”和“风格化”的青年亚文化如何以一种协商的方式进入并部分地影响了当下中国电影的产业与文化生态,进而成为中国电影产业发展多元格局中的重要力量。在此基础上,本文尝试以“后喻电影”观念对这一美学和文化现象进行提炼与把握。
In recent years, with the film industry’s continuous progress, new possibilities, new problems and new phenomena continue to emerge. Among them, the rise of the younger generation of creative groups and the continuous decline of the average age of mainstream moviegoers are particularly noteworthy for the possible changes brought about by the development of Chinese movies. As a young group of Chinese movie “New Forces ”, and some of the cultural traits and aesthetic interests it carries are subtly affecting and enriching the style of Chinese cinema. This article discusses how youth subcultures in the traditional “resistance” and “stylized” contexts enter and partially influence contemporary Chinese films in the context of “Internet + Movie The industry and cultural ecology, and thus become China’s film industry in the development of a multi-pattern of the important force. On this basis, this article tries to refine and grasp this aesthetic and cultural phenomenon with the concept of ”after-cinema".