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一叶小舟停靠在林家后门的石阶旁,濒临倒闭的林老板正要携爱女明秀出逃,临行前还有放心不下的事向女婿寿生叮咛,寿生在岸上提灯躬身倾听,明秀携带简单细软正走向小船,暗影里船老大等候在画面一隅。借助伸向水中的石阶,人物错落有致地分布于画面的不同位置,有层次、有重点。由提灯和船舱发出的光照亮着人和景,自然形成了脚光光效,四周被夜幕笼罩着,更增强了出逃的紧张气氛。灰色的石阶,不同深浅的冷色调服装,与昏暗的微红灯光形成寒暖对比,构成灰暗、深沉的画面基调,紧紧扣住了人物的命运和此时此刻的心境。 这只是影片《林家铺子》“出逃”这场戏中的一个镜头,接下去影片给观众又展示了林老板坐进船舱,双目失神地沉思着倒闭前在大鱼吃小鱼、小鱼吃虾米的世道下,那风雨飘摇、不堪回首的遭遇和茫然的未来;一叶孤舟消失在蒙蒙夜雾之中。
A leaf boat docked in the back door of the stone stairs next to the forest, the verge of collapse of the forest owner is about to bring love female Mingxiu fled before the trip there are things to be assured of son-in-law Shousheng exhilaration, life on the shore Lantern bowing, Mingxiu simple to carry Soft is approaching the boat, the shadow boat boss waiting in the corner of the picture. With the stone steps extending to the water, the characters are scattered and distributed in different positions of the picture, with different levels and priorities. The lights emitted by the lanterns and the cabin illuminate the people and the scenery, forming a natural light and shadow, surrounded by the darkness of the night, enhancing the tension of flight. Gray stone steps, different shades of dark clothing, and dim light red light to form a warm contrast, constitute a dark, deep picture tone, tightly with the fate of the characters and the mood at this moment. This is just a film “Lin Jia Puzi” “flight” in this scene a shot, the next video to the audience also showed the forest boss sat in the cabin, dull pondering the collapse before the big fish eat fish, fish eat The world of shrimp, that stormy, sad experience and loss of the future; a leafless boat disappeared in the misty night mist.