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一、中西色彩观的基本差异中国绘画以判然有别于西方绘画的色彩语言体系立足在世界艺术之林中,究其文化史根源,与中国古典哲学文化将世界理解为一个天、地、人和谐一体的整体观念有关。这种“整体、把握方式”与西方文化的“分析把握方式”的基本不同点,文化学、历史学学者已列举出了许多根据,但仅从人类用来认识世界、解释世界的最通用工具“数”来看,中西之间的不同集中表现在西方的“数”,主要是一种抽象的度量事物客观形态的尺度;而中国古典思想中的“数”,如“道生一,一生二,二生三”或“阴阳、五行、十二州”,却是一种对具体事物生命性质的把握方式。正如葛兆光先生在其《中国思想史》中所指出的:“古代西方如古希腊也曾经出现过毕达哥拉斯之类的惟数派,但是‘数’
First, the basic differences between Chinese and Western color concept Chinese painting with different from Western painting color language system based on the world of art in the forest, the root of its cultural history, and the Chinese classical philosophy of the world as a world, earth, people Harmonious whole concept related. This fundamental difference between “the whole and the way of grasping” and the “method of analyzing and grasping” the western culture has many references to the scholars of culture and history, but only from the most common tools that humans use to understand the world and explain the world In terms of “number”, the difference between China and the West is mainly reflected in the “number” in the West, which is mainly an abstract measure of the objective form of things. The “number” in Chinese classical thought, such as “ Second Life Three ”or“ Yin and Yang, Five Elements and Twelve States ”is a way of grasping the life nature of specific things. As pointed out by Mr. Ge Zhaoguang in his “History of Chinese Thoughts”: "The ancient West, such as Greece, once had a number like Pythagoras, but the ’number’