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柳博米尔·米西奇在20世纪20年代依托《巅峰》杂志引领了南斯拉夫第一次独立的先锋派艺术运动——巅峰主义。米西奇的巅峰主义艺术理论具有强烈的革命性,他在巴尔干本土文化中挖掘出野蛮天才形象,将其理想化为未受当代文明侵染的精神英雄和人类发展的范型,并使之承担起创造新文化的任务,主张依靠野蛮天才和巴尔干文化革新欧洲文化,实现“欧洲的巴尔干化”。在艺术上,米西奇主张综合并超越其他先锋艺术,创造一种依据艺术基本元素的、抽象的、体现人类创造能量的艺术,这种艺术因其抽象性和创造性能量而直接震颤人的精神,促进人类的自由和发展。
In the 1920s, Liubomir Micic led the first independent Yugoslavia avant-garde art movement, pinnacle, based on the magazine Pinnacle. Mišić’s pinnacle art theory is strongly revolutionary. He excavated the brutal genius in the Balkan native culture, idealized it as a spiritual herd that has not been infringed upon by contemporary civilization and a model for human development, To shoulder the task of creating a new culture, advocating relying on savage geniuses and the Balkan culture to reform European culture and achieve “Balkanization in Europe.” Artfully, Miciqi advocates the synthesis and surpassing of other avant-garde arts to create an art based on the basic elements of art that depict the energy-creating arts of mankind, which, due to its abstract and creative energy, directly trembles the human spirit , Promote human freedom and development.