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在《继母后妈》和《幸福来敲门》中,来自青春期继女的挑战,来自生母的阻碍,社会支持的缺乏等,都使继母的角色十分尴尬。鉴于此,笔者从社会心理学的角度对电视剧《继母后妈》与《幸福来敲门》中所描绘的继母与重组家庭、传递的文化观念进行解读,认为两部作品在继母形象的“去妖魔化”以及传递现实的再婚预期方面做出了相应的贡献。
In “stepmother’s stepmother” and “happy to knock on the door”, challenges from adolescent stepdaughter, from the mother’s obstruction, lack of social support, etc., make the stepmother’s role is very embarrassing. In view of this, from the perspective of social psychology, the author interprets the cultural concepts conveyed by stepmother and reorganized families depicted in the TV series “stepmom stepmother” and “happy to knock on the door”, that the two works Demonization "and the actual expectations of remarriage to make a corresponding contribution.